225 Replica of Swedenborg House at St. Louis World Fair (1904)

swedenborghousereplicasmall.jpg“The Committee of the General Convention, which is charged with the duty of preparing for some ‘New Church feature’ at the St. Louis Fair, reports, in the Messenger for January 6th [1904], a plan to reproduce, in as nearly exact form as possible, Swedenborg’s old house on Hornsgatan in Stockholm. The house was torn down long ago, but a fine picture of it, in water color, is preserved in the library of the Academy [possibly the two photos, below]. It is proposed to make this house a cozy centre for New Church people visiting the Exposition, and to have it furnished with a good bust as well as portraits of Swedenborg; a suitable exhibition of his Writings, with samples of the phototyped manuscripts, etc. The main idea, this time, seems to be the ‘very effective educative influence upon the minds of the youth and children of the Church,’ and as such it deserves the encouragement and support of the whole Church. The sum needed for the enterprise, is however, quite a large one” (New Church Life 1904, 104).

eshusjpgsm.jpgThe Louisiana Purchase Exposition of 1904 opened on April 30th and ran until December 1st. The call within the New Church for funds to build a replica of Swedenborg’s house at the fair was entirely successful. Continue reading » » » »

213 New Church Artist Jean-Jacques Gailliard (1890-1976)

gailliardchapelsm.jpg“At the end of 1914, and the beginning of 1915, we advertised our [New Church] Library in two Brussels newspapers, but friends advised me not to continue, as these newspapers were being betrayed to the enemy. I could not imagine any other way to attract new people to our Mission, when it came to my mind to use the art of our brother [Jean-Jacques] Gailliard. I suggested the decoration of our chapel as a possible attraction and he accepted. We studied the question together, and he made a sketch.

At that time, Mr. Melchers came to visit us, and was very much interested, but when we told him that we proposed to paint directly on the walls, he exclaimed that it would be a pity, and advised us to paint on linen so that the pictures could be removed in case of our departure from that place. M. Gailliard worked from March to November [1915], when the decoration was completed. Invitations were then printed, and a small explanatory tract.

The desired result was obtained! The impression is fairy-like! It is a dream! It is unique, not only in the Old Church, but also in the New Church, for it is a new art! A new application of the science of correspondences! Continue reading » » » »

206 88th Anniversary of Dedication of Bryn Athyn Cathedral (October 5th, 1919)

cathded2.jpg“Perhaps the deepest impression made upon us by this Service of Dedication was through the perception that the long years of spiritual depression and anxiety - states induced both by the greatest war in history and by the pangs of transition from one generation to another in the Church - that these desolate and searching years of trial had failed to destroy our faith. The prison of the years was at last broken. The famine of despair no longer weakened our energies. A sense of happiness and satisfaction flowed into all our minds, as it seemed from Heaven” (William Whitehead, “Impressions of the Dedication Service,” New Church Life 1919, 748).

cathded6.jpgThe dedication of Bryn Athyn Cathedral took place on Sunday, October 5th, 1919, during the Tenth Assembly of the General Church of the New Jerusalem. Three separate services were held throughout the day—A morning Dedication Service (attendance 900), an afternoon Holy Supper Service (attendance 500), Continue reading » » » »

Copyright © The Academy of the New Church
E-Mail: ed.gyllenhaal@glencairnmuseum.org

This page is powered by WordPress and is based on the Hiperminimalist Theme design by Borja Fernandez and adapted by Amos Glenn.
Entries and comments feeds.